Witchcraft: A Very Short Introduction

by Malcolm Gaskill

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Throughout history, to the present day, witchcraft raises questions about the distinction between reality and fantasy, faith and proof. This Very Short Introduction explores witchcraft, both as a contemporary phenomenon and an historical subject. It looks at witch-beliefs and accusations around the world, from pre-history to the present.

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Questions for thought and discussion

  • Is there some inherent quality in human beings that either draws them to witchcraft or predisposes them to detect it in others?


  • How, in broad terms, have the stereotypes, images, and cultural associations of witchcraft changed between the classical age and the present day?


  • Why throughout history have witches been so strongly associated with women?


  • Throughout the ages, many men have been tried and executed for witchcraft, but can a man ever be a witch in the same way as a woman?


  • Why have some writers, notably the Egyptologist Margaret Murray in the 1920s, supposed that European witches belonged to some kind of fertility cult?


  • Is it right that we should stand in judgement of those who once persecuted witches, or are we restricted to trying to understand our ancestors in their own times?


  • What are the major historical myths about witches, especially during the ‘witch-craze’, and why are they so hard to dispel with hard fact?


  • How can we explain the massive surge of witchcraft trials in the sixteenth and seventeenth centuries?


  • Why do you think the acquittal rate at early modern witch-trials was so high in south-east England (where the survival of detailed records is good) somewhere around 75 per cent?


  • What emotion is involved in witchcraft accusations, and is it helpful to think in terms of ‘hysteria’, for example in relation to the Salem trials of 1692?


  • Is it correct to talk of a decline of witchcraft beliefs in the Western world between the eighteenth century and the present day?


  • How do modern Wiccans stand in relation to witchcraft’s historical past?


  • Why are witch-hunts, rather than just witch-beliefs, so common today in the developing world and what might be done to inhibit them?


  • What, if anything, do the broomstick-flying witches of the children’s storybook have in common with their historical antecedents?


  • Why does the fascination with witches endure in popular culture, in everything from novels and films to cartoons and games?


Other Books by Malcolm Gaskill

  • Crime and Mentalities in Early Modern England (Cambridge: Cambridge University Press, 2000)


  • Hellish Nell: Last of Britain's Witches (London: 4th Estate, 2001)


  • 'The Matthew Hopkins Trials', volume 3 in James Sharpe and Richard M. Golden (eds), Writings on English Witchcraft 1560–1736, 6 vols (London: Pickering & Chatto, 2003)


  • Witchfinders: a Seventeenth-Century English Tragedy (London: John Murray, 2005)


  • Out of this World: English Adventures in America, 1607-1692 (forthcoming)


Further Reading

  • Jeffrey B. Russell and Brooks Alexander, A New History of Witchcraft: Sorcerers, Heretics and Pagans (London: Thames & Hudson, 2007)


  • John Demos, The Enemy Within: a Short History of Witch-Hunting (London: Penguin, 2010)


  • Brian P. Levack, The Witch-Hunt in Early Modern Europe, 3rd edn (Harlow: Pearson, 2006)


  • Robin Briggs, Witches and Neighbours: the Social and Cultural Context of Witchcraft, 2nd edn (Oxford: Blackwell, 2002)


  • Lyndal Roper, Witch Craze: Terror and Fantasy in Baroque Germany (New Haven: Yale University Press, 2004)


  • Ronald Hutton, The Triumph of the Moon: a History of Modern Pagan Witchcraft (Oxford: Oxford University Press, 1999)


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