NEVER MISS AN OXFORD SALE (SIGN UP HERE) |   VIEW BASKET
 
 
Advanced Search
Need Help?

Music in East Africa
Experiencing Music, Expressing Culture

Gregory Barz

Price: £11.99 (paper)
ISBN-13: 978-0-19-514152-8
Publication date: 25 March 2004
160 pages, 208x140 mm
Series: Global Music Series
Search for titles in the same series
Ordering
Individual customers may:
order by phone, post, or fax.
This title has to be ordered from another OUP branch; please allow 6 weeks for delivery. To place an order, click here.

Teachers in UK and European schools (and FE colleges in the UK):

Description
These captivating case studies include eyewitness accounts of performances, interviews with performers, and vivid illustrations. Each volume is packaged with a 70-minute CD that contains representative examples of the music discussed in the book.

Ngoma is the hallmark of music in East Africa and a performance that incorporates drumming, singing, and dancing. Using several towns and villages as examples, this case study discusses how Ngoma performances function as important means of mediating conflicts, solidifying community and ethnicity, and communicating traditional values and social histories.

Contents
Forward
Preface
CD Track List
1. Heating Up!
East Africa
Traditional Music Performance: The Example of Ngoma
What is "Music" in East Africa?
Greetings
Conclusion
2. Traditional Performances in Two Villages and a Town
Introduction
Case Study #1: Nyanhugi Village, Sukumaland, Tanzania
Case Study #2: Bugwere Village, Busoga Region, Eastern Uganda
Case Study #3: Kisumu Town, Western Kenya
Musical Transcription
Gender and Traditional Music Performance in East Africa
Conclusion
3. Fostering Social Cohesion: Competition and Traditional Musical Performance
Introduction: Competition as Social Cohesion
Case Study #1: Bulabo in Sukumaland, Tanzania
Bufumu
Bagaalu and Bagiika Dance Societies
Samba
Changes and Adaption in Bulabo
Case Study #2: Choir Competitions in Dar es Salaam
Vignette 1: The Initial Evangelical Encounter
Vignette 2: The Emergence of Tanzanian Voices
Vignette 3: A Postcolonial Moment
Conclusion
4. Individuals in East African Musical Worlds: Gideon Mdegella and Centurio Balikoowa
Introduction
Vignette 1: Gideon Mdegella
Vignette 2: Centurio Balikoowa
Communities and Musical Specialists
Gideon Mdegella: "Mwalimu"
Mwalimu wa Kwaya: Ritual-Musical Specialists in the Tanzanian Luteran Church
"I Am Able to See Very Far, but I Am Unable to Reach There"
Mdegella and "First-Class Music"
Centurio Balikoowa
Background
Musical Instruments
Endere (Flute )
Endingidi (Tubefiddle )
Construction of the Endingidi
Ntongooli (Bowl Lyre )
Personal History
Conclusion
5. Situating Traditional Music within Modernity
Introduction
Vignette: Anthems and Identity
Case Study #1: Mu Kkubo Ery 'Omusaalaba
Basic Tenets of Kiganda Traditional Music
Issue of Timbre
Drumming
Issue of Interlocking Patterns
Case Study #2: "The Roots of Benga "
D.O. Misiani, the "King" of Benga
Conclusion: Popular versus Traditional--"Modernity Happened!"
6. Cooling Down!
Introduction
Traditional Music and the Interrelation of the Arts in East Africa
Glossary
Resources
Index

Authors, editors, and contributors


Gregory Barz, Assistant Professor, Blair School of Music, and Affiliate Faculty of African American Studies, Vanderbilt University


Links to web resources and related information
More in the same subject area:
Music

The specification in this catalogue, including without limitation price, format, extent, number of illustrations, and month of publication, was as accurate as possible at the time the catalogue was compiled. Occasionally, due to the nature of some contractual restrictions, we are unable to ship a specific product to a particular territory. Jacket images are provisional and liable to change before publication.

 
Privacy Policy and Legal Notice
Content and Graphics copyright Oxford University Press, 2008. All rights reserved.