Winner of Alpha Sigma Nu's 17th Annual Book Award
By the author of Shakespeare and Classical Tragedy: The Influence of Seneca
Shakespeare and Classical Comedy
The Influence of Plautus and Terence
Robert S. Miola
Price: £59.00 (hardback)
ISBN-13: 978-0-19-818269-6
Publication date: 15 December 1994
248 pages, 216x138 mm
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| Reviews |
| - 'This book, a commendably swift follow-up to the author's Shakespeare and Classical Tragedy: The Influence of Seneca ... like its predecessor, digests a formidable amount of reading ... Robert Miola is a mature critic who has arrived at original insights by a long process of study and thought ... this book takes its place among the few really valuable books on Shakespeare's comedies.' - Brian
Vickers, Centre for Renaissance Studies, ETH Zurich, MLR, 91.4, 1996
- 'of exceptionally high quality ... companion volume to his book on the tragedies ... and every bit as good ... His book is illuminating, lovingly attentive to its texts, and gracefully written.' - English Studies
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| Description |
This book surveys Shakespeare's comedies, charting the influence upon them of the ancient playwrights, Plautus and Terence. Robert Miola analyses these sources, and places the comedies in their Renaissance context, as well as in the larger context of European theatre.
Discovering new indebtedness, and discerning new patterns in previously attested borrowings, Shakespeare and Classical
Comedy
presents an integrated and comprehensive assessment of the complex interactions of the Classical, Shakesparian, and other Renaissance theatres. Robert Miola re-evaluates Plautus and Terence in the light of the Greek antecedents, and gives special attention to Renaissance translations and commentaries, Italian theorists, and playwrights, as well as contemporary dramtist such as Middleton,
Joson, Heywood, and Chapman. Four broad catergories organize the discussion - New Comedic errors, intrigue, alazoneia, and romance - and each is illustrated by illuminating readings of individual Shakespearian plays. The author keeps in view Shakespeare's eclecticism, his habit of combining disparate sources and traditions, as well as the rich history of literary criticism and theatrical
interpretation. The book concludes by discussing the presence of New Comedy in tragedy, in Hamlet
and King Lear
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Robert Miola's thoroughly researched book ranges over a vast amount of European drama, from Aristophanes to Beckett and Ionesco. It makes an important contribution to our understanding not only of Shakespeare and of his foremost antecedents, but also of his artistry and
achievement.
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Readership: Scholars, postgraduate and graduate students of English literature (Shakespeare in particular) and Classics; anyone interested in Shakespeare, drama, and traditions of drama.
| Authors, editors,
and contributors |
Robert S. Miola, Professor of English and Lecturer in Classics (adjunct), Loyola College, Baltimore
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and month of publication, was as accurate as
possible at the time the catalogue was compiled.
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