Introduction
,
Erich Segal
I. Greek Antecedents
1.
Euripidean Comedy
,
Bernard Knox
II. Menander
2.
The Conventions of the Comic Stage and Their Exploitation By Menander
,
E. W. Handley
3.
Marriage and Prostitution in Classical New Comedy
,
David Wiles
4.
Love and Marriage in Greek New Comedy
,
P. G. McC. Brown
5.
Tragic Space and Comic Timing in Menander's Dyskolos
,
N. J. Lowe
III. Plautus
6.
Plautus and the Public Stage
,
Erich Gruen
7.
Traditions of Theatrical Improvisation in Plautus: Some Considerations
,
Gregor Vogt-Spira
8.
Plautus' Mastery of Comic Language
,
W. S. Anderson
9.
The Menaechmi
: Roman Comedy of Errors
,
Erich Segal
10.
Crucially Funny, or Tranio on the Couch: The Servus Callidus
and Jokes About Torture
,
Holt Parker
11.
Aulularia
: City-State and Individual
,
D. Konstan
12.
The Art of Deceit: Pseudolus and the Nature of Reading
,
A. R. Sharrock
13.
The Theatre of Plautus: Playing to the Audience
,
Timothy J. Moore
14.
The Theatrical Significance of Duplication in Plautus' Amphitruo
,
Florence Dupont
15.
Amphitruo
, Bacchae
, and Metatheatre
,
Niall Slater
IV. Terence
16.
The Originality of Terence and His Greek Models
,
Walther Ludwig
17.
The Dramatic Balance of Terence's Andria
,
Sander M. Goldberg
18.
Terence's Hecyra
: A Delicate Balance of Suspense and Dramatic Irony
,
Dwora Gilula
19.
Problems of Adaptation in the Eunuchus
of Terence
,
J. A. Barsby
20.
The Intrigue of Terence's Self-Tormentor
,
J. C. B. Lowe
21.
Phormio parasitus
: A Study in Dramatic Methods of Characterization
,
W. Geoffrey Arnott
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