Mathias
"This is music of a truly professional composer, delightful to play and rewarding to listen to." Musical Times
"With its idiomatic solo writing, characterful structure and memorable ideas it is easily the most significant addition to the repertoire or organ concertos since that of Poulenc..." Geraint Lewis, writing about the Concerto for Organ
"Continuously and captivatingly enjoyable" The Observer
William Mathias was born in Whitland, Dyfed in 1934 and died in 1992. He began to
compose at an early age, studying first at the University College of Wales, Aberystwyth, taking his BMus with first-class honours, and subsequently on an Open Scholarship in
composition at the Royal Academy of Music. He was elected a Fellow of the Royal
Academy of Music in 1965, and gained the DMus of the University of Wales in 1966. In
1968 he was awarded the Bax Society Prize under the Harriet Cohen International Music
Awards, and in 1981 the John Edwards Memorial Award. From 1970-1988 he was
Professor and Head of the Music Department at the University College of North Wales, Bangor. He was known as a conductor and pianist, and gave or directed many premières
of his own works. In 1972 he founded the North Wales Music Festival at St Asaph
Cathedral and remained its artistic director until his death. A house
composer with Oxford University Press since 1961, his compositions cover an
extraordinarily wide range. Early success include the Clarinet Sonatina at the
1957 Cheltenham Festival (followed within a year by broadcasts in France and Poland), and the Divertimento for String Orchestra which, following its London première, was quickly taken up as far afield as Prague and California. He has made a highly
significant contribution to twentieth-century organ music, and his church music and carols
are still regularly performed world-wide. Works such as the Symphonies, Clarinet
Concerto, Harp Concerto, Improvisations for harp, Laudi, Piano Concerto No.3, Ave Rex, Riddles and This Worlde's Joie have entered the repertory; the
Organ Concerto scored a great success in the 1984 BBC Promenade Concerts, and Lux Aeterna has been hailed as one of the finest British choral/orchestral
works this century. Mathias' full-scale opera The Servants (with a
libretto by Iris Murdoch) was premièred by Welsh National Opera in 1980. Works
composed to celebrate Royal occasions include the Investiture Anniversary
Fanfare (for the tenth anniversary of the Investiture of the Prince of Wales), Vivat Regina and A Royal Garland (for the Queen's Silver Jubilee), Let all the World in every corner sing (for the diamond jubilee of the Royal
School of Church Music), As truly as God is our Father (for the Friends of St
Paul's Cathedral and their Patron, The Queen Mother), and Let the people praise
Thee, O God - the anthem especially composed for the wedding of The Prince and
Princess of Wales in 1981. His last important compositions included Symphony
No.3 (1991) and the Violin Concerto for Gyorgy Pauk
(1992). Mathias' musical language embraced both instrumental and vocal
forms with equal success, and he addressed a large and varied audience both in Britain
and abroad. In 1987 he was awarded an Honorary DMus by Westminster Choir College, Princeton. He was made CBE in the 1985 New Year's Honours. In 1992 Nimbus records
embarked upon a series of recordings of his major works.
Soundclip:
Lux Aeterna courtesy of Chandos (CHAN 8695)
photograph © John Ross
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