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A
certain politician's wallpaper, the extra-marital affairs of Ministers,
the meaning of William Hague's baseball cap: articles of this ilk
seem to take up column feet each year, and biography sections of
bookshops get bigger every year. If you thought that analysing the
private lives of public figures was a modern phenomenon, think again.
Suetonius, Lives of the Caesars
(on which I, Claudius is partly based) shows that there were
similar obsessions almost two millennia ago. Catharine Edwards,
translator of the Oxford World's Classics edition published this
autumn, reports:
Suetonius'
Lives of the Caesars, starting with Julius Caesar and ending
with the emperor Domitian, has always had its place as a fund of
extraordinary tales of imperial vice - and, at times, of models
of imperial virtue. Suetonius presents us with shocking accounts
of Caligula's plan to make his horse consul and of Nero singing
while Rome burned, as well as with edifying descriptions of Augustus'
splendid redevelopment of the city of Rome and Titus' decision to
put the state before his love for Berenice. Centuries later rulers
might aspire to being hailed as another Augustus or Titus - and
dread being labelled another Caligula or Nero.
Suetonius held
a succession of posts at court, including a period in charge of
imperial correspondence under the emperor Hadrian. These were highly
influential positions which gave him close access to the emperor
- and to a wealth of fascinating documentary material such as the
letters of Augustus, from which he quotes extensively. Suetonius
offers little in the way of chronological narrative and it would
be rash to rely on the factual accuracy of the stories he tells
about the Caesars. But what he has to say about the eccentricities
and achievements of emperors, their virtues and vices, gives us
a valuable insight into ancient Roman debates about imperial power
and how it should be exercised.
Many of the
virtues and vices Suetonius describes relate clearly to an emperor's
public role. But Suetonius is also notorious for the space he devotes
to his subjects' sex lives. While details of what we might describe
as 'private life' often appear in the later sections of the Lives,
thus in a sense separate from emperors' public activities, Suetonius
hardly characterizes such material as 'private'. Romans traditionally
viewed the personal lives of public figures as a legitimate public
concern (a view shared today at least by the editors of tabloid
newspapers). For Romans, a public figure revealed a huge amount
about himself: by the way he chose to decorate his house - Augustus'
simple residence makes clear he has no aspirations to tyranny; his
style of dress - Julius Caesar's ungirt tunic reflects his unbounded
appetite for power; and his eating habits - Claudius' habit of eating
at the wrong time is a telling symptom of a more general failure
to grasp what was appropriate behaviour for a ruler. Some practices
deemed reprehensible for public figures in the modern world appear,
however, to have provoked little criticism. Augustus' affairs with
young girls seem to have been viewed as an acceptable indulgence
of masculine appetite.
Suetonius aims
to give his readers insights into the characters of individual Caesars
through a wide variety of means, including, for instance, descriptions
of their physical appearance (thought by ancient physiognomists
to be a clear index of character). All the same, it is highly significant
that Suetonius almost never seems to be concerned with why emperors
were the way they were. This is one of the most striking ways in
which Suetonius' 'biographies' are quite unlike modern works of
biography. Following the trend established by Lytton Strachey's
Eminent Victorians (1918), modern biographers have generally
sought to explain their subjects' characters. More often than not
the subject's sexuality is presented as the key to his or her character.
Of course sexual behaviour has an important part to play in Suetonius'
Lives. For many readers, Tiberius disporting himself in the
swimming pool with little children, or Caligula treating senators'
wives as if they were slave girls, are among the most memorable
episodes. But these stories are not presented by Suetonius as having
a key explanatory role. Rather sexuality offers one more sphere
in which emperors may be judged and compared. Today, of course,
the accounts of politician's sexual proclivities are reported and
judged somewhat differently.
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